Araby
James Joyce
North
Richmond Street, being blind, was a quiet street except at the hour when the
Christian Brothers' School set the boys free. An uninhabited house of two
storeys stood at the blind end, detached from its neighbours in a square
ground. The other houses of the street, conscious of decent lives within them,
gazed at one another with brown imperturbable faces.
The former
tenant of our house, a priest, had died in the back drawing-room. Air, musty
from having been long enclosed, hung in all the rooms, and the waste room
behind the kitchen was littered with old useless papers. Among these I found a
few paper-covered books, the pages of which were curled and damp: The Abbot,
by Walter Scott, The Devout Communicant, and The Memoirs of Vidocq.
I liked the last best because its leaves were yellow. The wild garden behind
the house contained a central apple-tree and a few straggling bushes, under one
of which I found the late tenant's rusty bicycle-pump. He had been a very
charitable priest; in his will he had left all his money to institutions and
the furniture of his house to his sister.
When the
short days of winter came, dusk fell before we had well eaten our dinners. When
we met in the street the houses had grown sombre. The space of sky above us was
the colour of ever-changing violet and towards it the lamps of the street
lifted their feeble lanterns. The cold air stung us and we played till our
bodies glowed. Our shouts echoed in the silent street. The career of our play
brought us through the dark muddy lanes behind the houses, where we ran the
gauntlet of the rough tribes from the cottages, to the back doors of the dark
dripping gardens where odours arose from the ashpits, to the dark odorous
stables where a coachman smoothed and combed the horse or shook music from the
buckled harness. When we returned to the street, light from the kitchen windows
had filled the areas. If my uncle was seen turning the corner, we hid in the
shadow until we had seen him safely housed. Or if Mangan's sister came out on
the doorstep to call her brother in to his tea, we watched her from our shadow
peer up and down the street. We waited to see whether she would remain or go in
and, if she remained, we left our shadow and walked up to Mangan's steps
resignedly. She was waiting for us, her figure defined by the light from the
half-opened door. Her brother always teased her before he obeyed, and I stood
by the railings looking at her. Her dress swung as she moved her body, and the
soft rope of her hair tossed from side to side.
Every
morning I lay on the floor in the front parlour watching her door. The blind
was pulled down to within an inch of the sash so that I could not be seen. When
she came out on the doorstep my heart leaped. I ran to the hall, seized my
books and followed her. I kept her brown figure always in my eye and, when we
came near the point at which our ways diverged, I quickened my pace and passed
her. This happened morning after morning. I had never spoken to her, except for
a few casual words, and yet her name was like a summons to all my foolish
blood.
Her image
accompanied me even in places the most hostile to romance. On Saturday evenings
when my aunt went marketing I had to go to carry some of the parcels. We walked
through the flaring streets, jostled by drunken men and bargaining women, amid
the curses of labourers, the shrill litanies of shop-boys who stood on guard by
the barrels of pigs' cheeks, the nasal chanting of street-singers, who sang a come-all-you
about O'Donovan Rossa, or a ballad about the troubles in our native land. These
noises converged in a single sensation of life for me: I imagined that I bore
my chalice safely through a throng of foes. Her name sprang to my lips at
moments in strange prayers and praises which I myself did not understand. My
eyes were often full of tears (I could not tell why) and at times a flood from
my heart seemed to pour itself out into my bosom. I thought little of the
future. I did not know whether I would ever speak to her or not or, if I spoke
to her, how I could tell her of my confused adoration. But my body was like a
harp and her words and gestures were like fingers running upon the wires.
One evening
I went into the back drawing-room in which the priest had died. It was a dark
rainy evening and there was no sound in the house. Through one of the broken
panes I heard the rain impinge upon the earth, the fine incessant needles of
water playing in the sodden beds. Some distant lamp or lighted window gleamed
below me. I was thankful that I could see so little. All my senses seemed to
desire to veil themselves and, feeling that I was about to slip from them, I
pressed the palms of my hands together until they trembled, murmuring: `O
love! O love!' many times.
At last she
spoke to me. When she addressed the first words to me I was so confused that I
did not know what to answer. She asked me was I going to Araby. I forgot
whether I answered yes or no. It would be a splendid bazaar; she said she would
love to go.
`And why
can't you?' I asked.
While she
spoke she turned a silver bracelet round and round her wrist. She could not go,
she said, because there would be a retreat that week in her convent. Her
brother and two other boys were fighting for their caps, and I was alone at the
railings. She held one of the spikes, bowing her head towards me. The light
from the lamp opposite our door caught the white curve of her neck, lit up her
hair that rested there and, falling, lit up the hand upon the railing. It fell
over one side of her dress and caught the white border of a petticoat, just
visible as she stood at ease.
`It's well
for you,' she said.
`If I go,' I
said, `I will bring you something.'
What
innumerable follies laid waste my waking and sleeping thoughts after that
evening! I wished to annihilate the tedious intervening days. I chafed against
the work of school. At night in my bedroom and by day in the classroom her
image came between me and the page I strove to read. The syllables of the word Araby
were called to me through the silence in which my soul luxuriated and cast an
Eastern enchantment over me. I asked for leave to go to the bazaar on Saturday
night. My aunt was surprised, and hoped it was not some Freemason affair. I
answered few questions in class. I watched my master's face pass from
amiability to sternness; he hoped I was not beginning to idle. I could not call
my wandering thoughts together. I had hardly any patience with the serious work
of life which, now that it stood between me and my desire, seemed to me child's
play, ugly monotonous child's play.
On Saturday
morning I reminded my uncle that I wished to go to the bazaar in the evening.
He was fussing at the hallstand, looking for the hat-brush, and answered me
curtly:
`Yes, boy, I
know.'
As he was in
the hall I could not go into the front parlour and lie at the window. I felt
the house in bad humour and walked slowly towards the school. The air was
pitilessly raw and already my heart misgave me.
When I came
home to dinner my uncle had not yet been home. Still it was early. I sat
staring at the clock for some time and, when its ticking began to irritate me,
I left the room. I mounted the staircase and gained the upper part of the
house. The high, cold, empty, gloomy rooms liberated me and I went from room to
room singing. From the front window I saw my companions playing below in the
street. Their cries reached me weakened and indistinct and, leaning my forehead
against the cool glass, I looked over at the dark house where she lived. I may
have stood there for an hour, seeing nothing but the brown-clad figure cast by
my imagination, touched discreetly by the lamplight at the curved neck, at the
hand upon the railings and at the border below the dress.
When I came
downstairs again I found Mrs Mercer sitting at the fire. She was an old,
garrulous woman, a pawnbroker's widow, who collected used stamps for some pious
purpose. I had to endure the gossip of the tea-table. The meal was prolonged
beyond an hour and still my uncle did not come. Mrs Mercer stood up to go: she
was sorry she couldn't wait any longer, but it was after eight o'clock and she
did not like to be out late, as the night air was bad for her. When she had
gone I began to walk up and down the room, clenching my fists. My aunt said:
`I'm afraid
you may put off your bazaar for this night of Our Lord.'
At nine
o'clock I heard my uncle's latchkey in the hall door. I heard him talking to
himself and heard the hallstand rocking when it had received the weight of his
overcoat. I could interpret these signs. When he was midway through his dinner
I asked him to give me the money to go to the bazaar. He had forgotten.
`The people
are in bed and after their first sleep now,' he said.
I did not
smile. My aunt said to him energetically:
`Can't you
give him the money and let him go? You've kept him late enough as it is.'
My uncle
said he was very sorry he had forgotten. He said he believed in the old saying:
`All work and no play makes Jack a dull boy.' He asked me where I was going
and, when I told him a second time, he asked me did I know The Arab's Farewell
to his Steed. When I left the kitchen he was about to recite the opening
lines of the piece to my aunt.
I held a
florin tightly in my hand as I strode down Buckingham Street towards the
station. The sight of the streets thronged with buyers and glaring with gas
recalled to me the purpose of my journey. I took my seat in a third-class
carriage of a deserted train. After an intolerable delay the train moved out of
the station slowly. It crept onward among ruinous houses and over the twinkling
river. At Westland Row Station a crowd of people pressed to the carriage doors;
but the porters moved them back, saying that it was a special train for the
bazaar. I remained alone in the bare carriage. In a few minutes the train drew
up beside an improvised wooden platform. I passed out on to the road and saw by
the lighted dial of a clock that it was ten minutes to ten. In front of me was
a large building which displayed the magical name.
I could not
find any sixpenny entrance and, fearing that the bazaar would be closed, I
passed in quickly through a turnstile, handing a shilling to a weary-looking
man. I found myself in a big hall girded at half its height by a gallery.
Nearly all the stalls were closed and the greater part of the hall was in
darkness. I recognized a silence like that which pervades a church after a
service. I walked into the centre of the bazaar timidly. A few people were
gathered about the stalls which were still open. Before a curtain, over which
the words Café Chantant were written in coloured lamps, two men were
counting money on a salver. I listened to the fall of the coins.
Remembering
with difficulty why I had come, I went over to one of the stalls and examined
porcelain vases and flowered tea-sets. At the door of the stall a young lady
was talking and laughing with two young gentlemen. I remarked their English
accents and listened vaguely to their conversation.
`O, I never
said such a thing!'
`O, but you
did!'
`O, but I
didn't!'
`Didn't she
say that?'
`Yes. I
heard her.'
`O, there's
a... fib!'
Observing
me, the young lady came over and asked me did I wish to buy anything. The tone
of her voice was not encouraging; she seemed to have spoken to me out of a
sense of duty. I looked humbly at the great jars that stood like eastern guards
at either side of the dark entrance to the stall and murmured:
`No, thank
you.'
The young
lady changed the position of one of the vases and went back to the two young
men. They began to talk of the same subject. Once or twice the young lady
glanced at me over her shoulder.
I lingered
before her stall, though I knew my stay was useless, to make my interest in her
wares seem the more real. Then I turned away slowly and walked down the middle of
the bazaar. I allowed the two pennies to fall against the sixpence in my
pocket. I heard a voice call from one end of the gallery that the light was
out. The upper part of the hall was now completely dark.
Gazing up
into the darkness I saw myself as a creature driven and derided by vanity; and
my eyes burned with anguish and anger.
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